On Goldfinger, he was recruited by the great production designer Ken Adam to help design Fort Knox. His responsibilities on the series were wideranging and unpredictable. Photograph: Allstar/20th Century Fox/Sportsphoto Lifeboat scene from Titanic (1997), the film for which Peter Lamont won an Oscar for best production design. “They make the impossible possible and the unbelievable believable.” Michael G Wilson, who with Barbara Broccoli took over the producing reins from Broccoli’s father, Albert, said: “The first thing we do when we start working on the script, and we’re thinking about locations and whether we can do this or that, is we call up Peter Lamont.” “I so admire Peter and his colleagues,” said Roger Moore in his 2008 autobiography My Word Is My Bond. It was Lamont’s work on the latter which brought him an Oscar, following nominations for Fiddler on the Roof (1971), the Bond adventure The Spy Who Loved Me (1977) and Cameron’s horror sequel Aliens (1986).Īs he moved up the ladder from draughtsman to set decorator and art director before finally being appointed production designer on For Your Eyes Only (1981), Lamont became a prized member of the Bond family. He was absent during that time only from Tomorrow Never Dies, which clashed with James Cameron’s Titanic (also 1997). The production designer Peter Lamont, who has died aged 91, worked on every James Bond film between Goldfinger (1963), the third in the series, and Casino Royale (2006), the 21st official instalment.
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